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    Thursday, March 12, 2009

    Rebirth of a Nation - DJ Spooky vs. D.W. Griffith

    The first time I saw D.W. Griffith's 1915 film Birth of a Nation was about 10 years ago in my History of Film class in university. The copy screened for us was completely silent and for 3 hours 150 of us (or at least those who didn't have to brains to skip this class) endured this piece of celluloid history, I floated in and out of consciousness willing for the film to hurry up and end (at least I didn't follow in my friend's example, he not only fell asleep, but started snoring during a silent film providing us with an apt soundtrack).

    Mercifully, DJ Spooky cuts his remix of Griffith's epic down to 1.5 hours. He re-creates it to emphasize Griffith's sympathy towards the KKK. By using only actual film footage he's not imposing an agenda so much as reinforcing what is already there. The original film itself is based on a play called "The Clansman" and Griffith is continually criticized for his racist portrayals, DJ Spooky merely takes an extra step by removing all segments of the film that does not reiterate this point.

    I found the film as offensive as I did the first time and did not particularly view it in a new light, aside from the one or two scenes which I may have been asleep for 10 years ago. DJ Spooky speaks of Griffith using motion picture as a method of propaganda by doesn't elaborate on this point enough to my liking. I felt that he was holding the audience's hand in presenting a collage of offensive images and irritating voice-over about Griffith's intent, but did not give the same detailed treatment to his own points. Perhaps his target audience is not me and others who have already been exposed to Birth of a Nation?

    He also periodically adds visual embelishments to Griffith's footage, in the forms of lines that draw the audiences' attention, geometry and other visual effects. Sometimes it's too obvious, we don't need his help, other times I found it pointless as it emphasized nothing, and still other times I thought he was just doing it for the sake of embellishment, for the sake of being ornate. I don't know if any of it was necessary, or whether it drove DJ Spooky's point across, but I did enjoy some of the alterations and surely I could always appreciate the film (original and remix) for its cinematic achievements.

    His soundtrack is stirring and powerful as I would expect from DJ Spooky, spoiled only by the previously mentioned monotone voice-over. My main problem is... on one hand he desires to turn this film on its head, but his soundtrack simply follows the arch of Griffith's climax. At the height of conflict I felt the tension his music created but unlike his narration, the music did not make me see the ludicrous portrayal of the negros. If anything it reminded over and over I should be rooting for the Ayran race. Perhaps that was his intent, to reinforce Griffith's propaganda and demonstrate how this is done with the medium of film, but I can't say for certain. His music over-powered the bland narration and left me confused as to why each element of DJ Spooky's version is pointing to a different conclusion. It was a convoluted experience for me, but I'm no more or less offended by Birth of a Nation, and I can't tell if that's good or bad.

    Saturday, March 7, 2009

    25 Random FILM Facts About Me

    For you Facebook dwellers, I'm sure you are familiar... about 2 weeks ago a chain note blew through FB urging tagged individuals to list 25 facts about themself. During a conversation yesterday, a friend suggested that I should take a stab at a film-related version of this. The idea intrigued me and I must admit, I think MANY of those notes would have been more interesting had they been confined to the subject of movies and media. (man...how surprised am I that you hate cleaning the bathroom?... lemme guess, you dislike stepping in dog poo too?)

    Off we go...

    1. I don't remember what year Shaolin Soccer reached North America but I rolled my eyes at the whole Stephen Chow phenomenon. Kung Fu Hustle was so passe, I was severely disappointed. I watched Stephen Chow in 1985 when he was 18 years old and hosting kids variety/news show on TVB in Hong Kong. His audacity and hilarity shone brightest in the early 90's, reaching brilliant levels of verbal vulgarity that will never translate into the English language. In my eyes his work peaked in 1991. God of Gamblers III and All's Well Ends Well are still some of my favourite Hong Kong films.

    2. Don Knotts was great in Pleasantville.

    3. I hate Big Trouble in Little China. Everyone else seems to derive so much amusement from it but I can barely tolerate to watch it.

    4. I read High Fidelity by Nick Hornby before watching the movie and disliked it intensely, it was so dumbed down, abbreviated and shallow compared to the book. Then I saw the movie years later, long after I'd forgotten about the details in the book, and really liked it. Even went out and bought myself a copy of the movie. Now I'm thinking I should never read the book again.

    5. The first film I ever saw at the Toronto Film Festival was Gemini from Japan in 1999.

    6. Pulp Fiction should've won the Best Picture Oscar in 1995.

    7. Films formatted to "Full Screen" are garbage, it's one thing if they were shot that way, but if I receive/buy-by-mistake a full screen version of something I most likely won't even watch it. It blows my mind that a larger percentage of people prefer Full Screen DVDs, to see why you folks are complete turds, I suggest you read this: http://www.thedigitalbits.com/articles/anamorphic/aspectratios/widescreenorama.html

    8. I was in my teens when I first saw Reality Bites, I didn't really get its Gen-X-ness. I grew closer and closer to the characters with each viewing as an adult, now I feel the message is a little dated but brilliant. How come Ben Stiller stopped making films like this one?

    9. Dummy is probably one of the funniest movies that I own.

    10. Darren Aronovsky has, as a whole, the most annoying fans. God forbid someone not treat every frame of every one of his movies as if it were a piece of the holy grail. I'm allowed to hate The Fountain. When was the last time a Kevin Smith fan berated you for hating Clerks?

    11. I haven't seen it since it first came out on video, but I liked The Mighty Ducks movie when I was 14.

    12. Out of all the stars I've been in the proximity of, Sophia Loren has the most crazed fans, whose zealousness and fervor overshadow fans of Johnny Depp AND Brangelina!

    13. I was severely disappointed by Wong Kar Wai's 2046, but its soundtrack is one of my top 10 movie soundtracks of all time. All of his soundtracks are terrific (with the exception to My Blueberry Nights, which I was lukewarm to) but 2046 blows them all out of the water.

    14. Last year during the Toronto Film Fest, a friend of mine almost had the opportunity to pick up Wong Kar Wai from the airport and escort him to his car. During which time they could've made conversation. The job eventually fell on someone else, but the question that I wanted my friend to ask Wong Kar Wai was "I understand you often eat congee in and around Causeway Bay, what place would you recommend for the best congee?" [Causeway Bay is a district in Hong Kong]

    15. The first film I ever saw at the Tribeca Film Festival was Planet B-Boy in 2007.

    16. Keanu Reeves' best performances were in My Own Private Idaho and Parenthood. He wasn't bad in Bill and Ted's Excellent Adventure either.

    17. If I could get past her bodyguards and not suffer any repercussions from a third party, I would step up for Faye Dunaway and slap Hilary Duff for having the over-inflated ego to think that she can play Bonnie Parker in a Bonnie & Clyde movie. It's not about looking the part, it's that she's a talentless hack. The only person whose talent she will ever outshine is her sister's.

    18. [This is taken from my Fackbook personal 25 things version] Although I'm not a huge fan of hers, I think I would want Evan Rachel Wood to play me in a movie.

    19. My favourite Brat Pack movie is St. Elmo's Fire. I cried the first couple times I saw it.

    20. I've never see I Am Sam, I never want to see I Am Sam, but I adore the soundtrack, which is all Beatles covers (even more than Across the Universe)

    21. The first film I ever saw at the Montreal World Film Festival was Luck (from Canada) in 2003.

    22. As it stands, I never want to see the Canadian film Rare Birds. We used the script to do a project in my Business of Film class in university and then I did a bunch of transfers and burns for it at the post house where I was doing my co-op. Overexposure really kills your curiousity

    23. I don't ever need to see Ginger Snaps either, despite being told it's good. My screenwriting prof was one of the story editors and pulled one too many examples from it in his lectures.

    24. On the flipside, I adore Patricia Rozema's adaptation of Mansfield Park and I would've never even known about the film had my Music for Film prof not screened it in the class.

    25. I have attended 4 different Film Festivals during my travels in the last 7 years: The Vancouver International Film Festival, The Montreal World Film Festival, The Tribeca Film Festival, and the Rome Film Festival. (I missed the Tokyo International Film Festival by a week)

    Thursday, March 5, 2009

    Top 10 Films of 2008

    As posted on March 5th! How's that for record tardiness?

    (As with every year...Films listed in the top ten meet at least one of the following criteria: from a film festival that I attended in 2008, had a Canadian theatrical release in 2008, or is listed on www.imdb.com as released in 2008.)

    1. Slumdog Millionaire (UK)
    2. The Dark Knight (USA)
    3. Wall-E (USA)
    4. Vicky Cristina Barcelona (USA)
    5. Sexykiller (Spain)
    6. Rocknrolla (UK)
    7. $5 a Day (USA)
    8. Tears for Sale (Serbia)
    9. Nick and Nora's Infinite Playlist (USA)
    10. Milk (USA)

    Just missing the cut : Pontypool (Canada)

    Slumdog Millionaire tops this list for so many reasons, least of which because it’s the winner of 8 Oscars. This is the spectacular little film that could, destroying the moulds of bollywood/genres/target audiences, winning hearts despite all odds, just like its main character. This is also the 2nd year in a row that one of Danny Boyle’s films has made my top 10.

    If not for Slumdog, the Dark Knight surely would’ve triumphed, it’s some of the best Hollywood writing (superhero based at that) I’ve encountered in a long time supported an endless string of incredible talent. RIP Heath, I’m so glad you won the Oscar.

    What a race for the best love story of the year! I would cross the universe to be with Wall-E. Who said robots had no feelings?

    No one does a sexy irreverent tale like Woody Allen, Vicky Cristina Barcelona puts him back at the top of his game. And speaking of the vivacious sexy Spaniards, Sexykiller is a cheeky horror musical staring the delightful Macarena Gomez. Think blood and Barbie dolls.

    I guess it’s true that Madonna was bad for Guy Ritchie’s career. As soon as their marriage got rocky he produces the wild and rollicking Rocknrolla, stylish storytelling at breakneck speed, but what’s even more amazing is that you understand it! (I’m still waiting for someone to explain Revolver to me…)

    Christopher Walken is my hero, especially so in this film. It’s a little indie gem that teaches you about family, relationships, and of course, how to live on $5 a day. And while very different in content, Tears for Sale from Serbia is also about the bonds of family, that and a village of man-hungry females. Did I mention this is a love story? (among other things…)

    Oozing with commercial appeal of course is Nick and Nora, but damn Kat Dennings and Michael Cera are just so sweet and genuine you can’t help but love them. And I’m going to say the same about Sean Penn as Harvey Milk.

    Just missing the top 10 is Pontypool made by Canadian director Bruce McDonald, which is coming out soon in theatres actually. It’s an intelligent horror film that infringes on the lines of psychological thriller, much scarier that your average decapitated head.

    Honourable mention goes to Daniel Day Lewis and jaw-droppingly amazing There Will Be Blood, had I had the opportunity to see it in 2006 it would’ve have been in the Top 10 for sure (possibly even at #1!) Three hours long and I sat through it twice in theatres, and you still could’ve easily convinced me to see it a third time.

    4 month, 3 weeks, 2 days was also very affecting. Though I’m not sure I’d be able to see it again. One viewing is enough for it to stick with you for a long time.

    And of course there’s Ashes of Time Redux, the delicate and masterful restoration and recreation of his 1994 period epic by the great Wong Kar Wai. Though Redux had a 2008 release, I still consider it to be from 1994 based on the original’s release.

    Trends of note: There wasn’t a single asian film on my top 10 this year, which is a rare occurrence. Also English-speaking titles appear to be heavily favoured, the most ever since I started providing a top 10 list I believe.

    When I came up with this list I was somewhat surprised that more films didn’t jump out as genius to me given that I’ve really enjoyed most of the new films I’ve watched in 2008. I concluded that I saw a lot of good movies in 2008 but not a lot of great ones.

    Highlights include seeing There Will Be Blood the first time; getting into the press screening of Slumdog Millionaire at TIFF so I got to see it before any public screening; being dumbstruck by confusion after Plastic City at TIFF but then being able to get the director to explain his entire intention with the film with one well-worded question :D ; Charlie Kaufman’s Q&A after Synecdoche, New York at TIFF; getting to Ashes of Time on the big screen for the first time in my life; seeing 6 films in a day on the final day of TIFF (personal record I think) topped off by winning the Chocolate poster for asking the best question at the midnight madness Q&A then getting it autographed by director Prachya Pinkaew and photos with him.

    Wednesday, March 4, 2009

    The forgotten art of keeping your shelves well-stocked

    As an aside to the previous post, it must be noted that I went to purchase my copy of Ashes of Time from the HMV at Bloor & Yonge yesterday, I discovered that, despite it being the first day of its release, there was only a sole copy of Ashes of Time Redux on the shelf.

    In a large international chain that's probably housing 40 copies of the Love Guru in the stock room they couldn't find the budget or space to house a 2nd copy of Asian Arthouse Cinema? We live in a society of philistines I tell ya!

    Yesterday

    All these formatting decisions and having to come up with a title... it's all rather taxing! ;) It leaves me incapable of coming up with any new items to blog at the moment so I will supply you with my thoughts from yesterday...

    March 3rd, 2009 (Happy belated square root day!)

    March 3rd marked the release of two pieces of greatness in this world...


    One of the greatest bands of all time released their 5th album of new material (they also have a singles album)



    Some may dispute me but I think that this album finds the pulse of the scene today but circles back to encapsulate and pay homage to the early 90's from where Liam and the rest of The Prodigy came.

    ALSO


    Legendary director Wong Kar Wai's only period piece finally gets it's first official North American release after 15 years


    Although it does include action sequences coreographed by Sammo Hung, he shifts the focus instead to the dreamy philosophies spun by his characters and breathtaking cinematography by Christopher Doyle. This is my very favourite film by Wong Kar Wai.
    RIP Leslie, haunting to see his face on the poster, this was one of his finest performances.